Sometimes you try and fail, that’s life, what is left behind gracefully recedes into the distance.
In the autumn of 2015 Jules Arthur, Kassia Zermon and myself arranged a collaboration with Fishbar, a photographic gallery in Daulston, on the site of an old a fish ‘n’ chip shop. Towards the end of the session there was time to quickly document the shoot as Jules and Philipp Ebeling shone images of old photographic slides of the moon, through hand-held projectors, onto spinning musical glasses. Olivia Arthur found the photographic plates at a market in France and suggested we put the two together.
While the images we made that day didn’t quite work out for the project, we thought it would be nice to share some of the ideas and images we made that day.
Thank you: Fishbar, Olivia Arthur, Philipp Ebeling
Straws / Hex Bang is the composition we like to close our live set with, it neatly deploys all twelve glass spinning machines at our disposal. The piece uses a whole tone series of notes, where only two possible modes of six notes are possible, one set of notes which ascend in whole tones F4 G4 A4 B4 C#5 D#5 are followed by F#4 G#4 A#4 C5 D5 E5.
Everyday drinking straws are placed into each glass which gives a striking percussive quality. For our finale, we play both sets of whole tones simultaneously and introduce fast vibrational percussion with gongs and metal cups. The resulting sound is a fizzy, dense concoction with all the instruments shaking at oscillations between 300 to 800 times per second.
Agata’s video captures TD preparing the first set of six notes, by adding percussive straws just before the ensemble cross over the event horizon, into the ‘big bang’ of all twelve glass notes sounding…